DIGITAL MIXERS
For Live Sound, House of Worship, Theatre and Broadcast applications
Welcome to DiGiCo
creative mixing solutions
In a world as competitive for engineers as it is for console owners, you want the best tools you can lay your hands on. You also want a console as well thought out for every major application as it is designed for the art and science of sound engineering. Above all, you want to do more. That's why we've added yet more depth and versatility to the SD-Range, in which the DiGiCo SD7 is complemented by the new SD5, powerful SD Ten, compact SD8, the ultra compact SD9, the rackmount SD11 and the revolutionary S21.
Live Sound
From sold out stadiums to intimate live performance venues, sound engineers agree on one thing – for the best digital mixing consoles for live sound, the only name that matters is DiGiCo.
As the recognised worldwide standard for live audio mixing, DiGiCo consoles are renowned for their industry leading sound quality and ease of use. From the compact and affordable S21 all the way up to the pioneering power of Quantum 7, DiGiCo delivers the workflow, the feature-set and the absolute reliability that the world’s biggest tours rely upon.
House of Worship
For every house of worship audio team, the decision to invest in a professional digital console is about more than just choosing the best mixer for church sound, it’s an opportunity to transform how you deliver the message to your congregation.
From compact and affordable digital mixing consoles such as the S21 up to the immense power of the SD7, the most trusted large format mixing desk for live sound, DiGiCo has the solution you need to raise up your service to the next level.
Broadcast
From versatile outside broadcast units to mission critical news studios, broadcasters worldwide now rely on the famous stability and efficient workflow of DiGiCo digital mixing consoles.
Featuring advanced connectivity and networking options plus the adaptability required to rapidly meet even the most demanding of broadcast challenges, the DiGiCo SD Broadcast range of digital desks is leading the way forward.
Theatre Sound
From plays on the fringe to Broadway musicals and West End spectaculars, the world’s most successful theatre sound designers and producers agree on one thing – for the best digital mixing consoles for theatre sound, the only name that matters is DiGiCo.
No matter whether your sound design features the latest in immersive audio and sound localisation or makes a star of the simple spoken word, DiGiCo has the solution you need to raise your technical production to the next level.
Corporate
From small company gatherings to the most ambitious corporate functions, the key to making the most of the corporate events market is being heard but never seen. For production companies seeking to deliver a seamlessly professional service whilst benefiting from maximum return on investment, the only name that matters is DiGiCo.
Sport
As the recognised worldwide standard for audio mixing, DiGiCo consoles are renowned for their industry leading sound quality, efficiency of operation and rock solid reliability. From the compact and affordable S21 all the way up to the pioneering power of Quantum 7, DiGiCo delivers the workflow, the feature-set and the absolute stability that the world’s biggest sporting events rely upon.
Installed Sound
With 4REA4, DiGiCo is pushing the boundaries of commercial audio and simplifying the most complex multi-stage and multi-space venues. The 4REA4 Processing Engine combines with a range of external I/O and multi-layer, programmable controllers to form an expandable, easy-to-operate solution for installed sound. When today’s permanent audio installations require versatility and reliability in equal measure, DiGiCo has the answer.
CONSOLES
Racks and I/Os
SD-Rack
The I/O rack that has it all
- 14 card module slots - 56 inputs and 56 outputs
- Fully compatible with our industry leading 32bit SD cards
- 192kHz high resolution ready
- HMA Optics
- Redundant power supplies
- Proven touring ready rugged design
DiGiCo I/O enters the next generation
With support for up to 192kHz high resolution analogue I/O converters plus a comprehensive range of digital formats, it’s no wonder that the SD-Rack is accepted as the finest I/O rack available. From MADI to AES/EBU, Dante, AES-42, ADAT, or Aviom, the SD-Rack has it all.
Based on the same Stealth FPGA technology as the world-renowned SD-Range of consoles, the SD-Rack can run on the optical loop at 96KHz, while providing a down-sampled 48KHz feed from one of the MADI output streams; ideal for a broadcast truck split. The result is industry-leading A/D conversion complete with DiGiCo’s famous Gain Tracking™, meaning all consoles benefit from +/-40dB of digital gain.
Once a user has set the gain on each channel, every console on the loop can Gain Track their own mixes, and if any tweaking of analogue gain settings is required then each Gain Tracked channel will automatically compensate to ensure the mix remains the same. Best of all, should clipping occur, any of the consoles on the loop can take control of an analogue gain and make the necessary adjustments without affecting anyone else’s mix.
The SD-Rack’s 14 slots give you up to 56 inputs and 56 outputs, and users can choose whether to include the Optocore optical fibre connectivity or connect the SD-Rack to the console using MADI. When running at 48kHz, the two MADI ins and outs provide 56 fully redundant input and output channels via duplicate connections. When running at 96kHz, the SD-Rack delivers a full complement of 56 channels of MADI across the dual MADI ports.
Lastly, for ease of use the SD-Rack offers hot swappable interface cards with are automatically identified and configured, plus a top-mounted, hot swappable power supply.
No matter the size of the rack you choose, up to 14 DiGiCo I/O racks can run on a single optical loop, while as many as 28 can be accommodated on a dual loop system. This, coupled with the ability for any of the five consoles that can sit on one optical loop to receive all inputs and individually
SD-Rack
The I/O rack that has it all
D-Rack
- Floor mounted stage rack
- Up to 32 Inputs and 16 outputs at 96kHz
- Optional fibre optic connection
- Optional redundant PSU and 7U rack mounting kit
Floor mounted DiGiCo I/O
As recognisable as the consoles it supports, the DiGiCo D-Rack comes as standard with the SD9 and is available as an option on all SD-Series consoles.
Providing 32 microphone inputs, 8 line outputs and 8 optional modular outputs that can be selected as either analogue or AES, the D-Rack provides a maximum capacity of 32 ins and 16 outs at 48kHz. The hum and noise of analogue multicores are eliminated courtesy of a digital Cat5e connection to the console work surface. When running at 96kHz on Cat5e, the D-Rack supports 28 mic inputs and up to 16 outputs.
For full flexibility, optional 7U rack mount ears are also available alongside an extra PSU for redundancy and a fibre optic connection
D-Rack
Floor mounted DiGiCo I/O
D2-Rack
A world of connectivity
- 9U MADI connected high performance rack
- Option of 48 Mic In or 24 Mic/24 AES/EBU In
- Analogue and Digital output expansion
- Redundant power supplies as standard
Delivering 96KHz on BNC or CAT5
The D2-Rack spearheads DiGiCo’s digital connectivity with an expandable channel count and high sample rates, providing more than enough firepower to meet the needs of the most ambitious projects.
The compact 9U rack sports 48 inputs and 16 outputs as standard; these can be increased to 32 outputs by populating the two spare eight channel output slots with one or more of three available module options: Line out, AES or Aviom.
For further flexibility, the D2-Rack’s inputs can be specified as either 48 mic in or 24 mic/24 AES/EBU in.
Dual MADI ports, available on either BNC or DiGiCo Cat5e connections, either allow rack sharing at 48kHz between any two SD Series consoles or provide digital splits for recording. When combined, these ports create a single high definition 96kHz MADI connection with absolutely no reduction in I/O.
To ensure ultimate reliability the D2-Rack is equipped with dual redundant power supplies as standard.
D2-Rack
A world of connectivity
DiGiCo reveals Quantum338 at NAMM 2020
“With Quantum338, we have ensured that we are providing a next generation console that works in synergy with our Quantum Engine,” says Michael Aitchison, DiGiCo’s Senior Electronics Engineer. “We focused our R&D team on user experience, learning from the last 20 years, with our continuing main objective of merging new with familiar.”
Quantum338 is based on seventh generation FPGAs and includes 128 input channels with 64 busses and a 24 x 24 matrix, all with full channel processing. There …
SEE MORENEW Installed Audio Solution
Designed for Installed Audio Performance
With the release of 4REA4, DiGiCo is pushing the boundaries again with a new audio installation platform designed to deliver the highest quality performance across multi-space venues and stages.
At the heart of the system is the 4REA4 processing engine with DiGiCo connectivity options and powerful 4REA4 control software, providing routing, processing and mix control that allows your performance area to expand across your installation.
Overview
4REA4 puts high quality audio at the heart of your installed sound solution, giving you the tools to build and shape the right solution with ease. At your fingertips you have a vast processing resource and redundancy support not normally found at this price point. The ability to integrate with top tier live performance products natively without complex programming enhances the flexibility of this solution delivering a truly unique audio processing product for installations.
4REA4 Applications
4REA4 is a new type of system processor leveraging the power of FPGA technology, 96kHz sample rate and intuitive, console-based, software to enable superior performance networked audio throughout your venue.
The mainframe can process 128 input channels and 56 outputs with on board connectivity via a range of network ports, SD Card slots (up to 3) and DMI card slots (up to 4). In addition to processing channels, 4REA4 can act as a point-to-point router for up to 512 channels, so any channel from any device on the network can routed directly to any other device on the network without affecting your processing capacity.
You can also split the workspace into 4 zones each with their own stereo master, to which access is limited through User Groups and Permissions.
It also has 8 Macros that can change the configuration at the touch of a button, so the system can be optimised for a range of set ups and applications, then recalled on demand.
The 4REA4 has bi-directional audio connectivity with any device on the network in both its proprietary format and a range of other standards (Dante, MADI, Avoim, Waves SoundGrid, Optocore, ME-1, AES/EBU). The system can also interface with external control devices using TCP/IP, GPIO, Midi and AMX/Crestron.
The system has a range of I/O and control peripherals that can interface over a standard, standalone network. It’s designed to be plug and play working off the shelf using Layer 2 network hardware; no IP or Mac addresses, just simple ID settings established over a web browser.
Building the software platform in a mixing console style is designed to open up the set-up, control and management to in-house Technical Managers or Heads of Audio, allowing venues to be in control of updates, changes or upgrades should they have the right in-house expertise.
Automatic firmware updates ensure your system is on the most recent version, simplifying service and maintenance. The software is cross-platform working with MacOS, Windows, iOS and a range of tablet devices.
DMI Interface Options
-
DMI-ADC
This card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC card is a line card only. There is no microphone amplifier or phantom power available. There is no gain control function for these inputs (only digital trim). Maximum input level +22dBu.
-
DMI-AES
This card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock.
-
DMI-AVIOM
This card provides 16 output channels at 48kHz (with SRC) and Supports Aviom's proprietary A-Net Pro16 protocol. It has 1 CAT5E connection and faceplate DIP switched for Stereo output selection.
DMI-DAC
This card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)
DMI-DANTE
This card provides 64 input and 64 output channels at 48KHz and 32 input and 32 output channels at 96KHz. It is provided with Primary and Secondary (backup) Gigabit Ethernet ports for connection to the Dante network.
DMI-MADI-B
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)
DMI-MADI-C
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)
DMI-MIC
This card provides 8 microphone preamp inputs on a 1 x 25 way "D" connector. Each channel has individual, low noise gain control and phantom power. User interface is through a normal channel strip on your console. Maximum input level is +22dBu.
DMI-WAVES
This card will provide 64 input and 64 output channels at 48kHz or 96kHz to the SoundGrid Network with 2 Cat5e/Cat6 connections.
Overview
4REA4 puts high quality audio at the heart of your installed sound solution, giving you the tools to build and shape the right solution with ease. At your fingertips you have a vast processing resource and redundancy support not normally found at this price point. The ability to integrate with top tier live performance products natively without complex programming enhances the flexibility of this solution delivering a truly unique audio processing product for installations.
4REA4 Applications4REA4 is a new type of system processor leveraging the power of FPGA technology, 96kHz sample rate and intuitive, console-based, software to enable superior performance networked audio throughout your venue.
The mainframe can process 128 input channels and 56 outputs with on board connectivity via a range of network ports, SD Card slots (up to 3) and DMI card slots (up to 4). In addition to processing channels, 4REA4 can act as a point-to-point router for up to 512 channels, so any channel from any device on the network can routed directly to any other device on the network without affecting your processing capacity.
You can also split the workspace into 4 zones each with their own stereo master, to which access is limited through User Groups and Permissions.
It also has 8 Macros that can change the configuration at the touch of a button, so the system can be optimised for a range of set ups and applications, then recalled on demand.
The 4REA4 has bi-directional audio connectivity with any device on the network in both its proprietary format and a range of other standards (Dante, MADI, Avoim, Waves SoundGrid, Optocore, ME-1, AES/EBU). The system can also interface with external control devices using TCP/IP, GPIO, Midi and AMX/Crestron.
The system has a range of I/O and control peripherals that can interface over a standard, standalone network. It’s designed to be plug and play working off the shelf using Layer 2 network hardware; no IP or Mac addresses, just simple ID settings established over a web browser.
Building the software platform in a mixing console style is designed to open up the set-up, control and management to in-house Technical Managers or Heads of Audio, allowing venues to be in control of updates, changes or upgrades should they have the right in-house expertise.
Automatic firmware updates ensure your system is on the most recent version, simplifying service and maintenance. The software is cross-platform working with MacOS, Windows, iOS and a range of tablet devices.
DMI Interface Options
-
DMI-ADC
This card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC card is a line card only. There is no microphone amplifier or phantom power available. There is no gain control function for these inputs (only digital trim). Maximum input level +22dBu. -
DMI-AES
This card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock. -
DMI-AVIOM
This card provides 16 output channels at 48kHz (with SRC) and Supports Aviom's proprietary A-Net Pro16 protocol. It has 1 CAT5E connection and faceplate DIP switched for Stereo output selection. -
DMI-DAC
This card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale) -
DMI-DANTE
This card provides 64 input and 64 output channels at 48KHz and 32 input and 32 output channels at 96KHz. It is provided with Primary and Secondary (backup) Gigabit Ethernet ports for connection to the Dante network. -
DMI-MADI-B
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack) -
DMI-MADI-C
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack) -
DMI-MIC
This card provides 8 microphone preamp inputs on a 1 x 25 way "D" connector. Each channel has individual, low noise gain control and phantom power. User interface is through a normal channel strip on your console. Maximum input level is +22dBu. -
DMI-WAVES
This card will provide 64 input and 64 output channels at 48kHz or 96kHz to the SoundGrid Network with 2 Cat5e/Cat6 connections.
4REA4 I/O Racks & Options
4REA4 Specifications
General Specifications
- 128 Inputs (Stereo channels use 2 DSP channels)
- 48 Mix Busses configurable as
- Mono/Stereo Auxes,
- Mono/Stereo Groups
- Mono/Stereo Matrix Busses
- Mono/Stereo FX Sends
- 4 Dedicated Stereo Masters
- 128 x 48 Processing Channels
- HPF – 12, 18 or 24 dB/Octave Butterworth filter, or 18dB/Octave Bessel filter
- LPF – 12dB/Octave Butterworth filter
- 4 Band Parametric EQ
- Dynamics: Gate, Ducker, Slow Ducker, Manual Peak Compressor
- 2 Insert Points per Channel
- 341.32ms Input Delay
- 685.63ms Output Delay
- Graphic EQ on outputs
- 16 FX processing
- Reverbs
- Stereo Tap Delays
- Chorus
- Gated Verbs
- Pitch Shifters
- De-Essers
- 4 Band Dynamic EQs
- 3 Multiband Compressors
- 8 Programmable Buttons with LED Indication
- 3 8 Channel SD-Rack Card Slots (for analogue & AES connectivity with up to 32-bit conversion
- 4 DMI Card Slots
- 4 A3232 Ports 32.32 Channel to connect to remote I/O modules
- Dual Redundant ATAR Port 128 x 128 Channel
- 1 Ethernet Port for Control (1000Mbps)
- Wordclock In and Out
4REA4 I/O Racks & Options
4REA4 Specifications
General Specifications
- 128 Inputs (Stereo channels use 2 DSP channels)
- 48 Mix Busses configurable as
- Mono/Stereo Auxes,
- Mono/Stereo Groups
- Mono/Stereo Matrix Busses
- Mono/Stereo FX Sends
- 4 Dedicated Stereo Masters
- 128 x 48 Processing Channels
- HPF – 12, 18 or 24 dB/Octave Butterworth filter, or 18dB/Octave Bessel filter
- LPF – 12dB/Octave Butterworth filter
- 4 Band Parametric EQ
- Dynamics: Gate, Ducker, Slow Ducker, Manual Peak Compressor
- 2 Insert Points per Channel
- 341.32ms Input Delay
- 685.63ms Output Delay
- Graphic EQ on outputs
- 16 FX processing
- Reverbs
- Stereo Tap Delays
- Chorus
- Gated Verbs
- Pitch Shifters
- De-Essers
- 4 Band Dynamic EQs
- 3 Multiband Compressors
- 8 Programmable Buttons with LED Indication
- 3 8 Channel SD-Rack Card Slots (for analogue & AES connectivity with up to 32-bit conversion
- 4 DMI Card Slots
- 4 A3232 Ports 32.32 Channel to connect to remote I/O modules
- Dual Redundant ATAR Port 128 x 128 Channel
- 1 Ethernet Port for Control (1000Mbps)
- Wordclock In and Out
NEW iPad Apps
Apps available for SD-Series and S-Series consoles
The new DiGiCo Apps are the perfect way to control your DiGiCo consoles straight from your Apple iPad, allowing remote, wireless control of your DiGiCo mixing console wherever you are. The Apps permanently display an overview of the console layout, so you can select any available console bank and have the same user-friendly operation you are already familiar with, without being tied to your console. Click on the buttons for more info.
DiGiCo Immerses with KLANG:technologies
Chessington, UK — DiGiCo is pleased to announce the acquisition of KLANG:technologies as a key new addition to the Audiotonix family that already includes leading audio brands Allen & Heath, Calrec, DiGiGrid, Solid State Logic and DiGiCo. The deal, which was concluded last week, further brings together some of the most influential and innovative brands within the Pro Audio Industry.
James Gordon CEO of Audiotonix comments: “We have had the pleasure of working with KLANG and their pioneering immersive technology for a couple of years and when the opportunity arose for them to join Audiotonix, we were keen to make it happen. We have always stressed that with our M&A we would look at each brand’s requirement and help support them with their aspirations. On that basis KLANG will become a key part of DiGiCo’s future, as they combine forces to improve the listening world of artists and monitor engineers alike. It is about to sound a lot more natural, with the arrival of I-IEM (Immersive In Ear Monitoring).”
Austin Freshwater, GM of DiGiCo, added: “We have been working in the background with KLANG for some months on increasing our level of integration. Over that time, it was clear the ethos of the development teams was similar, with a lot of shared common goals. Combining the control of the KLANG system into the DiGiCo worksurface will allow I-IEM and 3D personal monitoring to be a part of an engineer’s natural work flow, and that’s just the beginning for us and the KLANG team. We are keen to meet all their existing supporters and help more potential users understand the difference a KLANG system can make.”
Roman Scharrer, CEO of KLANG summarises with: “This is a fantastic opportunity for the team at KLANG. Having the wealth of industry knowledge and relationships that only the DiGiCo team have at our disposal is really going to allow us to demonstrate the benefits of our technology to those we feel will benefit the most from our ground-breaking development work. Being part of the Audiotonix family will allow our R&D team to bring more of our ideas to life. We can already anticipate that 2019 is going to be a busy year for us and we will continue to excite our users with innovative and sustainable solutions.”
Press Contact:
Maria Fiorellino at DiGiCo
Tel: +44 1372 845600
Email: maria@digiconsoles.com
Web: www.digico.biz
About DiGiCo
DiGiCo is a UK-based manufacturer of some of the world’s most popular, successful and ground-breaking digital mixing consoles for the live sound, theatre, installation and broadcast applications. For more information, go to: www.DiGiCo.biz
About KLANG
Headquartered in Aachen, Germany, KLANG:technologies is the world’s first manufacturer of truly immersive 3D in-ear monitor mixing technologies. The company’s core product, KLANG:fabrik, is a professional rack-mount monitoring mixing engine, specifically designed to be used with IEMs and provides musicians with individual, natural and three-dimensional sound. For more information, go to: www.KLANG.com
About Audiotonix
Audiotonix is a global market leader in the design, engineering and manufacture of professional audio mixing consoles and ancillary products. With innovative solutions from premium audio brands, DiGiCo, DiGiGrid, Calrec, Solid State Logic and Allen & Heath, our products are used extensively in live sound, broadcast, theatre production, installations, house of worship and recording studios.
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