MIXERS
A320 Personal Mixer
Made for the musician
Musicians are not engineers, and mixing while playing music or singing is very different than just mixing. That's why the A320 is designed with such a clean user interface. No clutter. No menus. Just quick access to the mixing controls you need.
Simple to its core
The A320 doesn't have a lot of bells and whistles. By design. Because when you're focused on playing music, bells and whistles can just get in the way. That's why the A320 gives musicians the controls that matter most for adjusting their monitor mix and keeps the rest out of the way.
Stereo clarity in every channel
Each of the 16 mix channels on the A320 can host a mono or a stereo source. That means you can preserve the fidelity of your stereo instruments and submixes from the console without giving up another mix source in your personal mixer. And that translates directly into clearer, more natural sounding monitor and cue mixes.
Easy stereo placement for outstanding clarity
Good stereo imaging in a monitor mix is essential for hearing every source clearly and distinctly, within the context of the ensemble. It's also an important way to reduce the sense of isolation many musicians experience with in-ear monitors.
Like the A360 Personal Mixer, the A320 allows users to pan both mono and stereo sources. With stereo sources, the Stereo Placement control adjusts both the separation and the position of the source in the mix as a whole. The A320 places all that power in a single control, allowing musicians to make a clear, natural sounding monitor mix with just the simple turn of the knob.
Rich, vibrant sound quality, especially with in-ears
The A320 uses the same master tone filters as the premier A360. They're easy to use—even if you don't know a thing about EQ—and they'll help your in-ear monitors sound their best, no matter what type of music you play.
Rugged and reliable
From the enduring simplicity of the mechanical design to the elegant efficiency of the embedded software, the A320 is built to work when you need it to work and to withstand the abuses of life on stage and in the studio.
Consistency night after night
The A320 includes space for eight mix presets, so you can save your favorite mixes and get reliable results in your monitors every time you play.
How it works
Whether you're adding to an existing Aviom personal mixing system or building a new one, getting up and running with the A320 is a breeze. For older systems, use the A320 in Pro16 mode, with 16 channels spread across the interface and stereo sources occupying adjacent channel buttons, like on the iconic A-16II Personal Mixer. For systems with more channels, switch the A320 into Pro16e mode to access the full power of its 32-channel mix engine which supports any combination of 16 mono or stereo sources.
In Depth
• A320 Modes: 16-Channel or 32-Channel
• How A320 Stereo Channels Work
• How To Label Your Personal Mixer
• Expanding beyond 16 inputs - a four-part series
Compatibility
The A320 Personal Mixer is forward and backward compatible with most Aviom Pro16 and Pro16e devices*. This includes:
- AN-16/i Input Module
- AN-16/i v.2 Input Module
- AN-16/i -M Mic Input Module
- Y1 Card for Yamaha MY devices
- Console cards from Aviom's development partners
- A-16D A-Net Distributor
- A-16D Pro A-Net Distributor
- D400 & D400-Dante A-Net Distributors
- D800 & D800-Dante A-Net Distributors
The A320 may also be used in the same system with the A360 and legacy A-16II Personal Mixers.
* The A320 Personal Mixer must be connected to an A-Net Distributor to operate. It does not support an external DC power supply.
Technical Specifications
| Audio Output | 1/4" TRS stereo, headphone or line level |
|---|---|
| Stereo Mix Output, Headphone/Line | Tip: Audio Left; Ring: Audio Right; Sleeve: Ground |
| A-Net I/O | 1 A-Net In, RJ45 connector; Supports Pro16 (16-channel) and Pro16e (32-channel) |
| D/A Conversion | 44.1/48kHz, 24-bit |
| Stereo Operation | Stereo Link, per channel pair; Set at the input module; Variable pan per mono channel or pan/spread per stereo channel pair |
| Headphone Output | 275 mW per side into 50 Ohms (both sides driven) |
| Output Impedance | 5 Ohms |
| Freq. Response | 3Hz-22kHz +0.2dB/-3dB at 50 Ohms |
| THD +N | < 0.003% |
| Output Voltage for Personal Mixers | 24VDC, 0.5 amp Transmitted over the Cat-5e cable |
| Signal to Noise (unweighted) |
-106dB (measured with zero data into all channels) |
| Latency | 0.880 msec (measured from analog input to analog output) |
| Pro16e A-Net | Use Cat-5e (or better) cable; Maximum 400 ft (122 m) between devices; Supports Power Over A-Net |
| Cat-5 cable | Use shielded Cat-5e (or better) cable to stay below the CISPR 22 Class B, ICES-003, and FCC 47 CFR Part 15 Class B emissions limits. |
| Power | 24 VDC, 0.5 amp; Power is supplied over the Cat-5 cable when connected to an Aviom A-Net Distributor (required) |
| Dimensions | 10.26" (260.6 mm) wide x 6.14" (155.95 mm) deep x 1.91" (48.51 mm) high |
| Weight | 1.3 lb. (0.59 kg) |
| Options | MT-1a Mic Stand Mount |
A320 Personal Mixer
A360 Personal Mixer
Mixing power made for musicians
The A360 gives musicians a powerful combination of power and simplicity. Even the most demanding musicians can get the mixes they want, with rich sound and outstanding clarity. And it's all in a package that's easy to use, even while you're focused on singing or playing.
Choose the channels you want to mix
Under the hood, the A360 has a mix engine with loads of power, so you don't have to make compromises in your mix. Every user can select exactly the sources they want to mix—from up to 64 of them—so drummers can have lots of drum channels and the vocalists can have lots of vocal channels. The free A360 Channel Manager makes it easy to create custom channel maps. Read our Using A360 Channel Manager blog post for more info.
Hear each source more clearly
Each A360 mix channel can host a mono or stereo source and may be adjusted for volume, stereo placement, tone, and reverb. With more control over each channel, you get a better sounding mix fast.
Stereo fidelity in every channel
Each mix channel on the A360 can be either stereo or mono—which means you don't have to give up the fidelity of your stereo keyboards, guitar effects, or submixes in order to save channel space on your personal mixer.
Every audio source can be heard in full stereo fidelity without taking up additional space on the mixer. This both ensures that every channel sounds its best, improving the fidelity of the overall mix as well, and frees up space for more mix content—without adding more complexity for the musician.
Get to your favorite channel—or settings—faster
The A360's Dual Profile Channel reserves prime real estate for each musician's favorite or most important channel, so you don't have to spend even a beat looking for it.
As a bonus, the Dual Profile Channel also offers two sets of mix settings for that channel, instantly accessible through the A or B profile select buttons. In a single touch, you can make your channel louder, brighter, and wetter.
Explore the Dual Profile Channel in depth:
An Introduction to the Dual Profile Channel
Exploring the A360 Dual Profile Channel
Get more out of your in-ears
The reality for many musicians is that the switch from a wedge to in-ears can be disappointing. The A360 can change all that. Designed from top to bottom with in-ear monitors in mind, the A360 gives musicians the controls they need to make their in-ears sound better than ever.
Make in-ear monitors sound rich and full
The EQ curves for the master tone controls on the A360 were designed specifically for the sonic characteristics of in-ear monitors. The A360's master Bass, Treble, and Enhance™ tone controls will make your in-ear monitors sound fantastic no matter what kind of music you play.
Add space to your ears
The A360's per-channel reverb control lets you easily restore some of the spaciousness your ears naturally expect. This feature, combined with the A360's powerful Stereo Placement™ controls, gives in-ear monitor users a whole new monitoring experience.
With high-resolution panning for mono channels and the independent pan and spread control for stereo channels, every source can be positioned precisely in the mix's stereo field, reducing musicians' sense of isolation and improving the clarity of the entire mix.
Reconnect with your audience
One-Touch Ambience is an easy way to add ambience to your mix when you want it. Use the built-in ambience mic or set up room mics and assign those channels to the One-Touch Ambience controls on your A360 with the free A360 Channel Manager software. Either way, because the A360 mix engine reserves space for ambience audio, you don't have to sacrifice any other mix sources to add ambience.
Feel your in-ear mix
The A360's Mono Mix Out has a dedicated volume control and XLR connector. You can use it for a powered wedge, but it's even better for adding a tactile transducer (bass shaker). Musicians can once again experience the tactile feedback they may be used to when using a floor wedge or speaker cabinet while still enjoying the clarity and convenience of in-ear monitors. And Aviom makes it easy with the BOOM-1 Tactile Transducer Processor.
Simplify connections to wireless in-ears
In systems that include a D800 or D800-Dante A-Net Distributor, Network Mix Back can be used to eliminate analog connections from the A360 to transmitter units for wireless in-ears.
Extend the interface with iOS
A360 Display is an iOS® app that augments the hardware interface with multi-channel views that show each channel in the context of the mix as a whole.
Take your mix with you
Save everything about your mixer—mix settings, channel assignments, names—to a USB thumb drive for safekeeping or transferring to another unit. It's never been easier for multiple ensembles to share personal mixers or for those on tour to be sure their mix settings are preserved from show to show, even if you're using rental gear.
How it works
Audio is taken from your existing console and distributed to the personal mixers using standard Cat-5e cables. Set-up and configuration is all plug-and-play easy, and you don't need to worry about managed network switches, IP addresses, or latency accumulation.
In Depth
• Choosing Channels for Your Personal Mixing System
• Adding Ambience to Your In-Ear Mix - Part 1 - Part 2
• Mapping Stereo Links
• Expanding beyond 16 inputs - a four-part series
Compatibility
The A360 Personal Mixer is forward and backward compatible with most Aviom Pro16 and Pro16e devices. This includes:
- AN-16/i Input Module
- AN-16/i v.2 Input Module
- AN-16/i -M Mic Input Module
- Y1 Card for Yamaha MY devices
- Console cards from Aviom's development partners
- A-16D A-Net Distributor
- A-16D Pro A-Net Distributor
- D400 & D400-Dante A-Net Distributors
- D800 & D800-Dante A-Net Distributors
The A360 may also be used in the same system with the A320 and
legacy A-16II Personal Mixers.
Technical Specifications
| Audio Output | 1/4" TRS stereo, headphone or line level; 1/8" TRS stereo, headphone or line level; XLR balanced mono, line level |
|---|---|
| Stereo Mix Outputs, Headphone/Line | Tip: Audio Left; Ring: Audio Right; Sleeve: Ground |
| Mono Mix Output | Pin 2: Hot, Pin 3: Cold; Pin 1: Ground |
| A-Net | 1 A-Net In, EtherCon RJ45 connector; Supports Pro16 and Pro16e Supports Power Over A-Net |
| Digital to Analog Conversion & Bit Depth | 44.1/48kHz, 24-bit |
| Stereo Operation | Stereo Link, per channel pair; Set at the input module; Variable pan per mono channel or pan/spread per stereo channel pair |
| USB Storage | Save/load mix configuration data and mixer presets; Firmware updates Requires USB compliant mass storage device, formatted for PC |
| Headphone Output | 1.0 watt at 100 ohms (Line/Headphone output) |
| Output Impedance | 32 ohms |
| Frequency Response | 2-22kHz +0.2dB/-3dB |
| THD+N | < 0.003% |
| Signal to Noise (unweighted) | -106dB (measured with zero data into all channels) |
| Latency | <0.880 msec (measured from analog input to analog output) |
| Pro16e A-Net | Use unshielded Cat-5e UTP (or better) cable; Maximum 400 ft (122 m) between devices; |
| Power Supply Input Voltage Output Voltage Plug Size |
External, DC, universal switching type 100-240 volts, 50/60Hz 24 VDC, 0.5 amp 2 mm |
| Dimensions | 11" (279.4 mm) wide x 6.9" (175.26 mm) deep; 1.835" (46.61 mm) high |
| Weight | 3.4 lb (1.54 kg) |
| Options | MT-1a Mic Stand Mount (uses 6-32 1/4-inch screws) |
| EB-1 Extension Bracket | |
| PS-120/PS-240 Power Supply |
A360 Personal Mixer
FIVEO - F124CX
F124CX is a professional compact mixer to give you great quality and better reliability than ever before You will get the smooth, accurate more natural and open sound from this apparatus. and it is really ideal for gigs, recording and fixed PA installations.
The F124CX is packed with features that can not be found in other consoles of its size: 4mono (provided with ultra low noise microphone pre amplifiers and Phantom Power at +48 Volt ) and 4 stereo input channels and each of them is provided with a 3-band equalizer for HI, MID and LOW controls, as well as 2 auxiliary control; highly accurate 12-segment bar graph meters and 2-track inputs assignable to main mix, control room/phones Outputs etc.
This unit is very easy to operate but we advise you to go through each section of this manual carefully. In this way you will get the best out of your F124CX.
TECHNICAL SPECIFICATIONS
| ELECTRONIC SPECS. | |
| Frequency Response | 10 Hz at 55 KHz, +/-3 dB |
| Total Harmonic Distortion (THD+N) | <0,03% at +0 dB, 22 Hz—22 KHz |
| INPUTS | |
| Total Inputs | 12 |
| Low Cut | 80 Hz – 12 dB / Oct |
| Phantom Power +48V | Yes |
| Mono In Mic/Line | 6 |
| Gain range Mic | 0dB / +50 dB |
| Gain range Line | -35 dB / +15 dB |
| Stereo Mic/LineStereo | 2 |
| Gain range Mic | 0 dB / +20 dB |
| Gain range Line | -20 dB / +20 dB |
| 2 Track | 1 |
| Stereo Return | 1 |
| Stereo LineStereo | 2 |
| OUTPUTS | |
| Main MIX | 2 |
| Control Room | 2 |
| Aux Pre/Post-Fader (Monitor) | 1 |
| Aux Post-Fader (Effects/Monitor) | 1 |
| Group Out | Yes |
| Phones | 1 |
| 2 Track | 1 |
| COMPRESSORS | |
| Single Control | No |
| EQ | |
| BANDS on MONO channels | 3 bands |
| BANDS on STEREO channels | 2 bands (HI/LOW) |
| AUXILIARY SENDS | |
| AUX | 1 pre/post |
| FX | 1 |
| INTERNAL EFFECTS | |
| Height | 56 bit |
| OTHER FEATURES | |
| Optional Card Slot | No |
| Footswitch | Yes |
| Usb card | Yes |
| ELECTRICAL SPECS. | |
| Power supply | VDE cable |
| Power requirements | 18 V – 1000 mA |
| Power consumption | 40 w |
| CABINET | |
| Cabinet Material | ABS |
| Colour | Grigio Antracite |
datasheet -> Datasheet
User Manual -> (ML) Owner's manual
Fiveo - F124CX
F124CX is a professional compact mixer to give you great quality and better reliability ..
FIVEO - F82CX
F82CX is a professional compact mixer to give you great quality and better reliability than ever before you will get the smooth, accurate more natural and open sound from this apparatus and it is really ideal for gigs, recording and fixed PA installations.
The F82CX is packed with features that can not be found in other consoles of its size: 2 mono (provided with ultra low noise microphone pre amplifiers and Phantom Power at +48 Volt ) and 3 stereo input channels and each of them is provided with a 3-band equalizer for HI, MID and LOW controls, as well as auxiliary control; highly accurate 8-segment bar graph meters and 2-track inputs assignable to main mix, control room/phones Outputs etc.
This unit is very easy to operate but we advise you to go through each section of this manual carefully. In this way you will get the best out of your F82CX.
TECHNICAL SPECIFICATIONS
| ELECTRONIC SPECS. | |
| Frequency Response | 10 Hz at 55 KHz, +/-3 dB |
| Total Harmonic Distortion (THD+N) | <0,03% at +0 dB, 22 Hz — 22 KHz |
| INPUTS | |
| Total Inputs | 8 |
| Low Cut | 80 Hz – 12 dB / Oct |
| Phantom Power +48V | Yes |
| Mono In Mic/Line | 2 |
| Gain range Line | -35 dB / +15 dB |
| Stereo Mic/LineStereo | 2 |
| Gain range Mic | 0 dB /+20 dB |
| Gain range Line | -20 dB / +20 dB |
| 2 Track | 1 |
| Stereo Return | 1 |
| Stereo LineStereo | 2 |
| OUTPUTS | |
| Main MIX | 2 |
| Control Room | 2 |
| Aux Pre/Post-Fader (Monitor) | |
| Aux Post-Fader (Effects/Monitor) | |
| Group Out | No |
| Phones | 1 |
| 2 Track | 1 |
| COMPRESSORS | |
| Single Control | No |
| EQ | |
| BANDS on MONO channels | 3 bands |
| BANDS on STEREO channels | 2 bands (HI/LOW) |
| AUXILIARY SENDS | |
| AUX | |
| FX | 1 |
| INTERNAL EFFECTS | |
| Height | 56 bit |
| OTHER FEATURES | |
| Optional Card Slot | Yes |
| Footswitch | Yes |
| Usb card | Yes |
| ELECTRICAL SPECS. | |
| Power supply | VDE cable |
| Power requirements | 18 V - 1000 mA |
| Power consumption | 24 w |
| CABINET | |
| Cabinet Material | ABS |
| Colour | Grigio Antracite |
Fiveo - F82CX
F82CX is a professional compact mixer to give you great quality and better reliability ..
FIVEO - F62X
F62X is a professional compact mixer to give you great quality and better reliability than ever before You will get the smooth, accurate more natural and open sound from this apparatus. and it is really ideal for gigs, recording and fixed PA installations.
F62 / F62X is packed with features that can not be found in other consoles of its size: 2 mono (provided with ultra low noise microphone pre amplifiers and Phantom Power at +48 Volt ) and 4 stereo input channels and each of them is provided with a 3-band equalizer for HI, MID and LOW controls, as well as auxiliary control; highly accurate 4-segment bar graph meters and 2-track inputs assignable to main mix, control room / phones Outputs etc..
This unit is very easy to operate but we advise you to go through each section of this manual
carefully. In this way you will get the best out of your F62 / F62X.
TECHNICAL SPECIFICATIONS
| ELECTRONIC SPECS. | |
| Frequency Response | 10 Hz at 55 KHz, +/-3 dB |
| Total Harmonic Distortion (THD+N) | <0,03% at +0 dB, 22Hz – 22 KHz |
| INPUTS | |
| Total Inputs | 6 |
| Low Cut | |
| Phantom Power +48V | Yes |
| Mono In Mic/Line | 2 |
| Gain range Mic | 0 dB / +50 dB |
| Gain range Line | -35 dB / +15 dB |
| Stereo LineStereo | 2 |
| Gain range Mic | 0 dB / +20 dB |
| Gain range Line | -20 dB / +20 dB |
| 2 Track | 1 |
| Stereo Return | 1 |
| OUTPUTS | |
| Main MIX | 2 |
| Control Room | 2 |
| Aux Pre/Post-Fader (Monitor) | 1 post |
| Aux Post-Fader (Effects/Monitor) | |
| Group Out | |
| Phones | 1 |
| 2 Track | 1 |
| COMPRESSORS | |
| Single Control | No |
| EQ | |
| BANDS on MONO channels | 3 bands |
| BANDS on STEREO channels | 2 bands (HI/LOW) |
| AUXILIARY SENDS | |
| AUX | 1 post |
| FX | 1 |
| ELECTRICAL SPECS. | |
| Power supply | External |
| Power requirements | 230VAC - 50/60Hz 1000Ma |
| Power consumption | 17 w |
| CABINET | |
| Cabinet Material | ABS |
| Colour | Grigio Antracite |
Fiveo - F62X
F62X is a professional compact mixer to give you great quality and better reliability ..
MONTARBO - MX20
The MX mixer series has represented the Made in Italy quality for mixing consoles for many years.
These renewed versions, completly Italian madeare available in 20 and 28 channel versions, allowing you to discover the professionalism that Montarbo® has offered since the first portable “MB”.
The MX20 offers 20 inputs /16 channels ( 12 mono + 4 stereo)
Produced after years of studies showed it was possible to introduce a dual processor with 56
bit conversion δ/Σ24-bit with more than 205 programs, a LCD display, 6 auxiliary outputs and a 10 band graphic equalizer on the master outputs, all controllable by 100 mm faders.
TECHNICAL SPECIFICATIONS
| Mono input channels | 20 |
| Micro (sensitivity/impedance) | 60 dB / 2,2 kO |
| Line (sensitivity/impedance) | 30 dB / 33 kO |
| Insert-in (sensitivity/impedance) | 0 dB / 33 kO |
| Phantom power supply | 48 V |
| Equalization | H.F ± 15 dB @ 15 kHz M.F (freq) 0,18 ÷ 3 kHz M.F (level) ± 15 dB L.F ± 15 dB @ 50 Hz |
| Stereo input channels | 4 |
| Micro (sensitivity/impedance) | 40 dB / 10 kO |
| Equalization | H.F ± 15 dB @ 15 kHz (shelving) M.F ± 15 dB @ 600 Hz (peaking) L.F 15 dB @ 50 Hz (shelving) |
| Equivalent input noise | 127 dB |
| Crosstalk (between channels) | > 70 dB @ 1 kHz |
| Fader (throw/attenuation) | 100 mm / > 80 dB |
| Stereo effects processor | 2 x 205 stereo effects |
| A-D and D-A conversion | 24 bit ?/S |
| Internal DSP | 56 bit |
| Bandwidth | 40 Hz ÷ 15 kHz |
| External effect send | 2 |
| Nominal level | 10 dB / 100 O |
| External effect return | 2 (stereo) |
| Nominal level | 10 dB / 10 kO |
| Monitor outputs | 6 |
| Nom. level/max. level | 0 dB / 22 dB |
| Equalization (pre fader) | H.F ± 15 dB @ 15 kHz M.F (freq) 0,18 ÷ 3 kHz M.F (level) ± 15 dB L.F ± 15 dB @ 50 Hz |
| Master outputs | L/R; C.Room; Mono |
| Nominal level/max. level | 0 dB / 22 dB |
| Frequency response | 20 Hz ÷ 30 kHz (+ 0 dB / -2 dB) |
| S.N.R | > 80 dB (nom.levels, EQ flat) |
| Stereo graphic equalizer | 31-63-125-250-500 Hz |
| Center frequency/range | 1-2-4-8-16 kHz / ± 12 dB |
| Dimensions (WxHxD) | 815 x 105 x 690 mm |
| Weight | 21 kg |
Montarbo - MX20
The MX mixer series has represented the Made in Italy quality for mixing consoles for many ..
MONTARBO - MX28
The MX mixer series has represented the Made in Italy quality for mixing consoles for many years.
These renewed versions, completly Italian madeare available in 20 and 28 channel versions, allowing you to discover the professionalism that Montarbo® has offered since the first portable “MB”.
The MX28 has 28 inputs /24 channels (20 mono + 4 stereo)
Produced after years of studies showed it was possible to introduce a dual processor with 56
bit conversion δ/Σ24-bit with more than 205 programs, a LCD display, 6 auxiliary outputs and a 10 band graphic equalizer on the master outputs, all controllable by 100 mm faders and peak LED indicators on each channel assure a very accurate control during complex mixes.
TECHNICAL SPECIFICATIONS
| Mono input channels | 28 |
| Micro (sensitivity/impedance) | 60 dB / 2,2 kO |
| Line (sensitivity/impedance) | 30 dB / 33 kO |
| Insert-in (sensitivity/impedance) | 0 dB / 33 kO |
| Phantom power supply | 48 V |
| Equalization | H.F ± 15 dB @ 15 kHz M.F (freq) 0,18 ÷ 3 kHz M.F (level) ± 15 dB L.F ± 15 dB @ 50 Hz |
| Stereo input channels | 4 |
| Micro (sensitivity/impedance) | 40 dB / 10 kO |
| Equalization | H.F ± 15 dB @ 15 kHz (shelving) M.F ± 15 dB @ 600 Hz (peaking) L.F 15 dB @ 50 Hz (shelving) |
| Equivalent input noise | 127 dB |
| Crosstalk (between channels) | > 70 dB @ 1 kHz |
| Fader (throw/attenuation) | 100 mm / > 80 dB |
| Stereo effects processor | 2 x 205 stereo effects |
| A-D and D-A conversion | 24 bit ?/S |
| Internal DSP | 56 bit |
| Bandwidth | 40 Hz ÷ 15 kHz |
| External effect send | 2 |
| Nominal level | 10 dB / 100 O |
| External effect return | 2 (stereo) |
| Nominal level | 10 dB / 10 kO |
| Monitor outputs | 6 |
| Nom. level/max. level | 0 dB / 22 dB |
| Equalization (pre fader) | H.F ± 15 dB @ 15 kHz M.F (freq) 0,18 ÷ 3 kHz M.F (level) ± 15 dB L.F ± 15 dB @ 50 Hz |
| Master outputs | L/R; C.Room; Mono |
| Nominal level/max. level | 0 dB / 22 dB |
| Frequency response | 20 Hz ÷ 30 kHz (+ 0 dB / -2 dB) |
| S.N.R | > 80 dB (nom.levels, EQ flat) |
| Stereo graphic equalizer | 31-63-125-250-500 Hz |
| Center frequency/range | 1-2-4-8-16 kHz / ± 12 dB |
| Dimensions (WxHxD) | 1046 x 105 x 69O mm |
| Weight | 29 Kg |
Montarbo - MX28
The MX mixer series has represented the Made in Italy quality for mixing consoles for many years. These ..
MONTARBO - MC-R8FX
MC-R8FX stands out for its very compact size, suitable for mounting in a standard rack, using the optional adapters, the complete endowment of signal sends and returns and the practical configuration of the controls, that result in a simple and immediate utilization. Fitted with a dual Montarbo stereo effects processor, based on a powerful, latest generation, 56 bit DSP, that provide 2 x 205 high quality programs, with an uncompromized sound quality (thanks to the dual 24 bit conversion) mated with unusual ease of use. The switch-mode power supply results in a minimal weight, and the very high efficiency minimizes the emission of heat, thus increasing the system's reliability and prolonging it's working life.
FEATURES
- 8 inputs / 6 channels (4 mono, 2 stereo)
- The mono channels are fitted with both balanced microphone (XLR, with phantom power) and line (jack) inputs, with adjustable gain, insert, channel direct out, high-pass filter, 3-band equalizer with a semi-parametric MF control, 4 aux sends (two of which may be switched pre-post fade), pan, mute and pfl switches, peak level indicator and 60mm volume fader.
- The stereo channels are fitted with one balanced microphone (XLR) and two line (jack) inputs, with adjustable gain, 3-band equalizer, 4 aux sends (two of which may be switched pre-post fade), balance, mute and pfl switches, peak level indicator and 60 mm volume fader.
- The dual stereo multieffects processor (based on a 56-bit internal DSP and 24-bit Δ-Σ conversion) provides high performance digital audio processing combined with extremely easy operation. Each one of the two effects processors offers 205 high quality programs all carefully tailored to today's music requirements: Early, Stereo Gen, Ping Pong, Halo, Delay, Detune, Flanger, Chorus, Ambience, Chamber, Room, Hall, Cathedral, Plate, Plate Dly, Big Space, EcoRev, Concert, Live, Gate Inside a Box , Living Room, Ptc Rev, Pitch, Distance, a group of effects for specific instruments Vox - Flute - Trumpet - Sax - Brass - Keybrd - Piano - Gtr - Drum - Toms - Cymb - Hihat - Kick - Snare - Tom and the 'classic' Montarbo effects Echo, Echo+Reverb, Voice Reverb, Halo+Reverb).
- The L/R master outputs are fitted with level indicators.
- The AUX outputs are fitted with a 3-band equalizer, the EFFECT may be used as monitor sends or for external effects.
- The effect returns may be routed independently to the master and monitor outputs.
- A really useful feature will be the possibility of plugging-in an analog recorder or of using the practical USB connection to connect a personal computer, used as a digital recorder/player, and of monitoring the master output or the PFL via the headphone output with adjustable volume.
- Engineered in Italy, assembled in China.
TECHNICAL SPECIFICATIONS
| ELECTRONIC SPECS. | |
| Frequency Response: | 20 Hz – 20 Khz |
| Noise (20 to 20kHz) - Mic EIN ref. 150ohm | 129dBu (gain + 50dB) |
| Summing Noise | - 86dBu (all channels routed with faders down) |
| Line to Mix Noise | - 82dBu (all channels routed at 0dB, pan centre) |
| Total Harmonic Distortion (THD+N): | |
| INPUTS | |
| Mic: | 8 |
| Gain range: | +3dB - +50dB |
| Low Cut: | 75Hz – 12 dB/Oct |
| Phantom Power +48V: | si |
| Mono Line: | 8 |
| Gain range: | -7dB - +40 dB |
| Stereo Mic/Line: | 2 |
| Gain range Line: | -11dB - +20dB |
| Gain range Mic: | +9dB - +40dB |
| 2 Track: | 1 |
| Stereo Return: | 1 |
| OUTPUTS | |
| Main MIX: | 2 |
| Control Room: | 1 |
| Aux Pre/Post-Fader (Monitor) | 2 |
| Aux Post-Fader (Effects/Monitor) | 2 |
| Group Out: | no |
| Phones: | 2 |
| 2 Track: | 1 |
| COMPRESSORS | |
| Single Control: | no |
| EQ | |
| BANDS on MONO channels: | 3 bands 2 fix (HF LF) 1 variable (MF) |
| BANDS on STEREO channels: | 3 fix |
| AUXILIARY SENDS | |
| AUX: | 2 pre/post + 2 post |
| FX: | 2 |
| INTERNAL EFFECTS | |
| DSP | 56 bit |
| OTHER FEATURES | |
| Optional Card Slot: | no |
| Footswitch: | no |
| ELECTRICAL SPECS. | |
| Power supply: | |
| Power requirements: | 230V, 50-60Hz |
| Power consumption: | 25W |
| CABINET | |
| Cabinet Material: | metal |
| Colour: | black |
| PHISICAL SPECIFICATION | |
| Height: | 120 mm |
| Width: | 240 mm |
| Depth: | 400 mm |
| Net Weight: | 4.25 Kg |
Montarbo - MC-R8FX
8-inputs, 6-channel, rack-mountable mixer MC-R8FX stands out for its ..
MONTARBO - MC-R16FX MIXER
MC-R16FXP stands out for its very compact size, suitable for mounting in a standard 19" rack, using the optional adapters, the complete endowment of signal sends and returns and the practical configuration of the controls, that result in a simple and immediate utilization. Fitted with a dual Montarbo® stereo effects processor, based on a powerful, latest generation, 56 bit DSP, that provide 2 x 205 high quality programs, with an uncompromized sound quality (thanks to the dual 24 bit conversion) mated with unusual ease of use. The switch-mode power supply results in a minimal weight, and the very high efficiency minimizes the emission of heat, thus increasing the system's reliability and prolonging it's working life.
- 16 inputs / 14 channels (12 mono, 2 stereo)
- The mono channels are fitted with both balanced microphone (XLR, with phantom power) and line (jack) inputs, with adjustable gain, insert, channel direct out, high-pass filter, 3-band equalizer with a semi-parametric MF control, 4 aux sends (two of which may be switched pre-post fade), pan, mute and pfl switches, peak level indicator and 60mm volume fader.
- The stereo channels are fitted with one balanced microphone (XLR) and two line (jack) inputs, with adjustable gain, 3-band equalizer, 4 aux sends (two of which may be switched pre-post fade), balance, mute and pfl switches, peak level indicator and 60mm volume fader.
- The dual stereo multieffects processor (based on a 56-bit internal DSP and 24-bit Δ-Σ conversion) provides high performance digital audio processing combined with extremely easy operation. Each one of the two effects processors offers 205 high quality programs all carefully tailored to today's music requirements: Early, Stereo Gen, Ping Pong, Halo, Delay, Detune, Flanger, Chorus, Ambience, Chamber, Room, Hall, Cathedral, Plate, Plate Dly, Big Space, EcoRev, Concert, Live, Gate Inside a Box , Living Room, Ptc Rev, Pitch, Distance, a group of effects for specific instruments Vox - Flute - Trumpet - Sax - Brass - Keybrd - Piano - Gtr - Drum - Toms - Cymb - Hihat - Kick - Snare - Tom and the 'classic' Montarbo effects Echo, Echo+Reverb, Voice Reverb, Halo+Reverb).
- The L/R master outputs are fitted with level indicators.
- The AUX outputs are fitted with a 3-band equalizer, the EFFECT send may be used as monitor sends or for external effects.
- The effect returns may be routed independently to the master and monitor outputs.
- A really useful feature will be the possibility of plugging-in an analog recorder or of using the practical USB connection to connect a personal computer, used as a digital recorder/player, and of monitoring the master output or the PFL via the headphone output with adjustable volume.
Engineered in Italy, assembled in China.
Technical Specifications
| ELECTRONIC SPECS. | |
| Frequency Response: | 20 Hz – 20 Khz |
| Noise (20 to 20kHz) - Mic EIN ref. 150ohm | 129dBu (gain + 50dB) |
| Summing Noise | - 86dBu (all channels routed with faders down) |
| Line to Mix Noise | - 82dBu (all channels routed at 0dB, pan centre) |
| Total Harmonic Distortion (THD+N): | |
| INPUTS | |
| Mic: | 16 |
| Gain range: | +3dB - +50dB |
| Low Cut: | 75Hz – 12 dB/Oct |
| Phantom Power +48V: | si |
| Mono Line: | 16 |
| Gain range: | -7dB - +40 dB |
| Stereo Mic/Line: | 2 |
| Gain range Line: | -11dB - +20dB |
| Gain range Mic: | +9dB - +40dB |
| 2 Track: | 1 |
| Stereo Return: | 1 |
| OUTPUTS | |
| Main MIX: | 2 |
| Control Room: | 1 |
| Aux Pre/Post-Fader (Monitor) | 2 |
| Aux Post-Fader (Effects/Monitor) | 2 |
| Group Out: | no |
| Phones: | 2 |
| 2 Track: | 1 |
| COMPRESSORS | |
| Single Control: | no |
| EQ | |
| BANDS on MONO channels: | 3 bands 2 fix (HF LF) 1 variable (MF) |
| BANDS on STEREO channels: | 3 fix |
| AUXILIARY SENDS | |
| AUX: | 2 pre/post + 2 post |
| FX: | 2 |
| INTERNAL EFFECTS | |
| DSP | 56 bit |
| OTHER FEATURES | |
| Optional Card Slot: | no |
| Footswitch: | no |
| ELECTRICAL SPECS. | |
| Power supply: | |
| Power requirements: | 230V, 50-60Hz |
| Power consumption: | 25W |
| CABINET | |
| Cabinet Material: | metal |
| Colour: | black |
| PHISICAL SPECIFICATION | |
| Height: | 120 mm |
| Width: | 444 mm |
| Depth: | 400 mm |
| Net Weight: | 8 Kg. |
Montarbo - MC-R16FX mixer
16-inputs, 14-channel, rack-mountable mixer. MC-R16FXP stands out for its very ..