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DiGiCo Quantum112 Digital Mixing Console

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Mix anywhere. Fly everywhere

  • 80 Input Channels with full processing
  • 24 Aux/Sub-Group busses with full processing
  • 12 x 8 Matrix with full processing
  • 12 Control Groups
  • 20 Mustard
  • 6 Spice Racks
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Περιγραφή

S21 : Overview

DiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of our high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price.

Step up to the S21’s worksurface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. It’s also a revelation in terms of what an introductory digital console can deliver.

Based on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone.

Under the Hood

Familiar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface.

The two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts.

Visual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls.

The dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilised for operation. Both touchscreens are responsive to EQ shaping, with fine-tuning available via the tactile and intuitive rotary encoders.

Altering the Channel Bank layout, and mixing and matching any channel, aux, group, control group, or matrix within a bank, is easily accomplished by drag and drop at the touch of a screen.

I/O

The S21’s local I/O section includes 24 mic/line inputs, 12 line outs, two mono AES/EBU, and two DMI (DiGiCo Multichannel Interface) card slots which interface to standard industry formats such as Analogue, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.

The console connects seamlessly with the DiGiCo remote I/O D-Rack providing an additional 32 inputs and up to 16 outputs.

General Specifications
  • Faders: 12 x 100mm touch-sensitive, motorised faders
  • Screens: 1 x 17” LCD high-brightness, high-resolution touchscreen
  • TFT Screens: 18 x Full Colour TFT LCD Displays
  • Redundancy: Internal PSUs x 2
  • Input Channels: 80 Input Channels (Mono)
  • 2 Solo Busses
  • 12 input x 8 output Full Processing Matrix
  • 12 Control Groups (CGs)
  • Graphic Eq 12 x 32-band
  • Internal FX: 6
  • Spice Rack: 6 Internal Spice Rack Slots
  • 20 Mustard Processing Strips
  • 24 Nodal Processing 4 Band Parametric EQ / Dynamic EQ
  • Stadius 32-bit local I/O
  • Up to 4 MADI interfaces or up to 2 redundant MADI interfaces at 48kHz or 2 interfaces at 96kHz
  • MultiMode Optocore Interface (Optional)
  • Sample Rate: 48kHz or 96kHz
  • GPI: 2 Jack (2 inputs)
  • GPO: 2 GPO Jack (2 outputs)
  • 2 x DMI Slots (up to 64 I/O per slot)
Audio Specification
  • Sample Rate: 48kHz or 96kHz
  • Processing Delay: 0.5ms Typical (Mic in to Line out, no channel Processing)
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 32-bit Converter Bit Depth
  • Frequency Response: +/- 0.2dB (20Hz – 20kHz)
  • THD+N (Mic In to AES Out): <0.002% @ 1kHz, 0dB gain, -10dBFS out, 22Hz-20kHz
  • THD+N (AES In to Line Out): <0.002% @ 1kHz, +16dBu out, 22Hz-20kHz
  • Channel Separation/Crosstalk (Mic In to Line Out): >100dB @ 10kHz
  • Residual Output Noise: <93dBu Typical (20Hz – 20kHz)
  • Equivalent Input Noise (EIN): <-127.5dBu A-weighted, 22Hz – 20kHz
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu
Processing Channel Specification Input Channel
  • 80 Input Channels (Mono)
  • Both Mustard and SD processing on all channels
  • Main & Alternative input
  •  Analogue Gain
  •  Phase Inversion Control
  •  Gain Tracking
  •  Digital Trim (-40dB to +40dB)
  •  Variable Delay (0ms to 1.3s)
  •  DiGiTube
  •  HPF/LPF (-24dB/Oct)
  •  4 Band Parametric EQ / Dynamic EQ
  •  DYN 1: Compressor, Multiband Compressor, De-esser
  •  DYN 2: Gate, Duck, External Input Compressor
  •  EQ/Dyn Order Control
  •  2 Insert Points per Channel
  •  Channel Mute & Hard Mute
  • Channel Direct Outputs
24 Aux/Sub-Group Busses
  • Digital Trim (-20dB to +60dB)
  • Variable Delay (0ms to 1.3s)
  • DiGiTube
  • Merge Input
  • Tone Generator
  • HPF/LPF (-24dB/Oct)
  • 8 Band EQ: 4 Band Parametric EQ and 4 Band Parametric or Dynamic EQ
  • DYN 1: Compressor, Multiband Compressor, Desser
  • DYN 2: Gate, Duck, External Input Compressor
  • EQ/Dyn Order Control
  • 2 Insert Points per Channel
  •  Channel Mute & Hard Mute 12 input x 8 output Full Processing Matrix 12 Control Groups (CGs) 2 Solo Busses 12 x 32-band GEQs 8 Internal Stereo FX ProcessorsDelays
  • Audio Enhancer
  • Choruses
  •  Pitch Shifters
  •  Reverbs
  • 6 Internal Spice Rack Slots
  • 6 band Dynamic Multiband Compressor/Expander
  • 6 band Dynamic EQ
Mustard Processing
  • 20 Mustard Processing Strips
  •  Tube
  •  Tube Emulation
  •  HPF/LPF (-24dB/Oct)
  •  4 Band EQ: 2 Band Parametric EQ and 2 Band Parametric EQ or All Pass Filters
  •  DYN 1: Classic RMS/Peak Compressor, Vintage VCA Compressor, Optical Compressor, FET Limited
  •  DYN 2: Gate, Ducker 24 Nodal Processing 4 Band Parametric EQ / Dynamic EQ • DYN 1: Compressor, Multiband Compressor, Desser • DYN 2: Gate, Duck, External Input Compressor Multiband Compressors available on every channel, Buss and Nodal Processor Dynamic EQs available on every channel, Buss and Nodal Processor DiGiTuBes available on every channel & Buss Virtual Soundcheck

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