DiGiCo SD12
- 72 Input Channels
- 36 Aux / Sub-Group Busses
- LR/LCR Master Buss
- 12 x 8 Full Processing Matrix
- 119 Dynamic Equalizers
- 48/96 kHz Sample Rate
SD12: A True Sonic Powerhouse
Compact in size but big on features, the SD12 raises the bar as a multi-application digital console at an exceptionally affordable price point. Not only is the SD12 a true sonic powerhouse, it is the first in the SD-Range to feature an integrated recording interface which makes virtual sound checking a snap.
Designed to provide optimum performance in live touring, corporate, install, house of worship, theatre and broadcast environments, the SD12 incorporates the latest generation Super FPGA technology and Core 2 software to deliver unrivalled power and connectivity in a compact frame.
Designed for even easier operation, the SD12’s new DVI display output provides an overview of the console, while brighter LED meters and a DiGiCo Lightbar ensure optimum visibility. Dual 15-inch touchscreens, two assignable master faders and advanced surface connectivity is provided in the form of optional DMI cards.
Under The Hood
The SD12 boasts 72 channels at 48kHz/96kHz, delivering a wealth of functionality. Standard channel processing across both inputs and outputs includes Channel Delay, Single and Multi-Channel presets, Dual insert points Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
On board are 119 Dynamic EQ processors which can be assigned to any of the input or output channels; 119 Multiband Compressors and 119 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 16 graphic EQs, 12 digital effects, and up to 12 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.
The SD12’s 36 busses are assignable as sub-groups or auxiliaries, while further configurability comes courtesy of a 12×8 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.
I/O
The SD12’s extensive local I/O section offers eight mic line inputs, eight line outs, eight mono AES/EBU and dual MADI in/out. The SD12 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability with industry formats such as Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.
Users can also choose a factory-fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop, and a DiGiCo SoundGrid DMI module giving instant access to 32 fully integrated low-latency Waves stereo MultiRacks.
DMI Interface Options
DMI-AMM
This card offers both the SD-Range and the S-Series consoles 48 channels of automatic microphone mixing which can be used in any console input channel.
When dealing with live sound scenarios that involve several live microphones with unpredictable dialogue, mixing them can be a challenge for an engineer. DiGiCo are proud to offer the DMI-AMM (Automatic Mic Mixing) as a versatile solution for these issues.
The DMI-AMM system works by instantly fading up a microphone’s gain when one person begins to speak and reducing the gain of the other microphones. When the speaker pauses, all microphone levels return to medium gain, collectively matching the level of one microphone with the full gain share. The resulting effect is as if all speakers are sharing one microphone. When several people talk at once, the gain is shared between the speakers. Each channel is given a Share Meter, which is shown in percentage, not dB. This makes it easy to see what channels are taking the majority of the gain.
The DMI-AMM also allows adjustment of the relative sensitivity (or weighting) of the AMM on a per channel basis. This means that should one of the speakers be quieter than the others, they still have the ability to “take over” the system. Furthermore, the card features a vital noise floor control that imposes a lower limit on the level detector of all mics in the AMM to prevent a noisy mic from catching a disproportionate share of the gain.
This card offers both the SD-Range and the S-Series consoles two independent 48 channel automatic microphone mixers which can be used on any console input channel. Both the S-Series and SD-Range allow a Virtual AMM so that the AMM routing and parameters can be set before a card is inserted.
Main Features
- Two independent 48 channel automatic microphone mixers
- Weighting control on a per channel basis
- Share meter in percentage to show which channels are taking the majority gain share
- Noise floor control
- Simple integration into both the S-Series and the SD-Range software
- Virtual AMM to set up a session before the card is present
- Compatible with S-Series, SD12 and Quantum Range
DMI-ADC
This card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC card is a line card only. There is no microphone amplifier or phantom power available. There is no gain control function for these inputs (only digital trim). Maximum input level +22dBu.
As a simple solution to expanding the local i/o of the S-Series, DiGiCo offer the DMI-ADC and the DMI-DAC. Both use 2 x 25 way “D” connectors to add either 16 analogue inputs or 16 analogue outputs. Both cards are compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4.
Main Features
- 16 analogue inputs
- 2 x 25 way “D” connectors
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-AES
This card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock.
Developed by the Audio Engineering Society (AES) and the European Broadcasting Union (EBU), this digital audio format was originally developed in 1985 and was the first professional digital audio format to gain widespread acceptance. There have been several revisions over the years. Also known as AES3 or IEC-60958 Type I, the data protocol includes up to two channels of up to 24-bit audio running at sample rates up to 96 kHz.
Multi-channel digital audio formats such as MADI have become popular, but AES3 is still a very useful format to distribute stereo signals (such as L/R mixer output) or to integrate stereo signal processors such as reverbs.
The DMI-AES provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock.
Main Features
- 2 x 25 way “D” connectors
- 16 inputs (8 pairs) and 16 outputs (8 pairs)
- Sample rate conversions on all inputs
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-AVIOM
This card provides 16 output channels at 48kHz (with SRC) and Supports Aviom's proprietary A-Net Pro16 protocol. It has 1 Ethercon connection and faceplate DIP switched for Stereo output selection.
The DMI-AVIOM allows easy integration with Aviom’s personal monitoring systems through the use of their A-Net protocol. The card provides 16 output channels (8 stereo) at 48kHz with inbuilt sample rate conversion for seamless compatibility with consoles running at 48kHz or 96kHz and supports Aviom’s proprietary A-Net Pro16 protocol. It has 1 Ethercon connection and faceplate DIP switches for stereo output selection.
Main Features
- 16 output channels (8 stereo)
- Faceplate DIP switches for stereo output selection
- Inbuilt sample rate conversion
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-DAC
This card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)
As a simple solution to expanding the local i/o of the S-Series, DiGiCo offer the DMI-ADC and the DMI-DAC. Both use 2 x 25 way “D” connectors to add either 16 analogue inputs or 16 analogue outputs. Both cards are compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4.
Main Features
- 16 analogue outputs
- 2 x 25 way “D” connectors
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-MADI-C
This card can be used to connect another DiGiCo device that uses RJ45 Standard MADI (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack)
MADI (Multichannel Audio Digital Interface) is arguably one of the most popular protocols for transmitting high channel counts in professional audio. This is partially due to its ease of use, and the ability for cables to be run long lengths with minimal signal loss. Originally only capable of transmitting 56 channels, MADI is now capable of transmitting up to 64 channels.
DiGiCo offers two MADI DMI cards, each with different connector types. Both the MADI-B (BNC) and the MADI-C (RJ45) cards can be used to connect up to 64 channels of audio in and out at both 48kHz and 96kHz. At 48kHz, the B connection can be used as a redundant audio stream. Should the A stream fail during use, the B stream will seamlessly take over. At 96kHz, the B connection must be connected to provide the full channel count.
Main Features
- RJ45 connection
- 64 channels in and out at 48kHz and 96kHz
- Redundancy if working at 48kHz
- Only for use with DiGiCo audio over Cat5 devices
- Internal switches to determine whether connected to a console or a rack
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-MADI-B
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D2-Rack, SD-Rack, SD-MINIRack)
MADI (Multichannel Audio Digital Interface) is arguably one of the most popular protocols for transmitting high channel counts in professional audio. This is partially due to its ease of use, and the ability for cables to be run long lengths with minimal signal loss. Originally only capable of transmitting 56 channels, MADI is now capable of transmitting up to 64 channels.
DiGiCo offers two MADI DMI cards, each with different connector types. Both the MADI-B (BNC) and the MADI-C (RJ45) cards can be used to connect up to 64 channels of audio in and out at both 48kHz and 96kHz. At 48kHz, the B connection can be used as a redundant audio stream. Should the A stream fail during use, the B stream will seamlessly take over. At 96kHz, the B connection must be connected to provide the full channel count.
Main Features
- 75Ω Coaxial (BNC) connections
- 64 channels in and out and 48kHz and 96kHz
- Redundancy if working at 48kHz
- For use with any standard BNC MADI audio device
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-DANTE
This card provides 64 input and 64 output channels at 48KHz and 32 input and 32 output channels at 96KHz. It is provided with Primary and Secondary (backup) Gigabit Ethercon ports for connection to the Dante network.
Audio over IP is becoming more and more sought after, due to the fact that it works over a standard IP network and can be sent over pre-installed infrastructure. Developed by Audinate in 2006, Dante provides uncompressed, low latency, multi-channel digital audio over IP and is a popular choice of protocol.
DiGiCo offer a Dante interface that allows 64 channels in and 64 channels out at 48kHz, and 32 channels in and out at 96kHz. The DMI-DANTE has a Primary and a Secondary port, both of which are Ethercon ports. The card has two modes that can be changed in Dante Controller. In Switched Mode, the ports are switched together. In redundant mode, the ports work as a redundant pair with separate IP addresses so that if the primary connection fails, the secondary connection will take over.
Main Features
- 2 Ethercon ports
- Switched mode switches the ports together
- Redundant mode allows the ports to work as a redundant pair
- 64 channels in and 64 channels out at 48kHz
- 32 channels in and 32 channels out at 96kHz
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
DMI-KLANG
This card provides ultra low latency KLANG immersive processing for up to 16 2-channel mixes with 64 inputs at 48kHz or 96kHz.
The DMI-KLANG provides 16 immersive mixes, each with 64 inputs. It has 2 EtherCON ports and 1 RJ45 port switched together for connecting to console network port and devices running the KLANG:app. It also has a USB port for software updates and preset exchange. The DMI-KLANG works at both 48kHz and 96kHz.
Main Features
- 64 input channels
- 16 immersive mixes
- 2 EtherCON ports
- 1 RJ45 port
- 1 USB port
- 48kHz or 96kHz Sample Rate
- 0.25ms Latency
- Compatible with Quantum Range, SD12 and Orange Box
DMI-HYDRA 2
This card will provide 56 Input and 56 output channels at 48kHz with Primary and Secondary (backup) optical connections.
Calrec’s Hydra 2 protocol allows audio to be sent within a Calrec system. The DMI-Hydra allows DiGiCo products to be integrated into a Calrec system with 56 channels in and 56 channels out. The card features a Primary and a Secondary (backup) optical multi-mode SFP connection. The Card only works at 48kHz.
Main Features
- 56 inputs and 56 outputs
- Two Multi-mode SFP connectors
- Only works at 48kHz
- Compatible with S-Series, Quantum Range, SD12 and Orange Box
DMI-MIC
This card provides 8 microphone preamp inputs on a 1 x 25 way "D" connector. Each channel has individual, low noise gain control and phantom power. User interface is through a normal channel strip on your console. Maximum input level is +22dBu.
A simple solution for expanding the number of inputs on a console, the DMI-MIC provides 8 microphone pre-amps on a 25 way “D” connector. Each channel has individual low noise gain control (from -20dB to +60dB) and phantom power. The user interface is through a normal channel strip on the console, meaning seamless operation. The DMI-MIC can be used with any S-Series or SD-Range console with DMI ports, as well as the 4REA4. The maximum input level of the card is +22dBu.
Main Features
- 8 channel microphone pre-amp
- “D” connector
- -20dB to +60dB of gain
- Compatible with S-Series, Quantum Range, SD12 and 4REA4
Specifications
- THD+N (-20 to +60dB @ 1k): <0.015
- Dynamic Range A-D: 116dB
- Noise A-A: (20Hz-20kHz) -90dBu Typical
- Noise A-D : -115dBFS
- EIN: 126dB
- A-A Frequency Response (20Hz-20kHz): ±0.6dB
- A-D 48k Frequency Response (20Hz-22.5kHz): ±0.1dB
- A-D 96k Frequency Response (20Hz-44.5kHz): ±0.1dB
- CMRR @ 1kHz: 74dB
- Zin: 2k4
DMI-DANTE64@96
This card provides 64 inputs and 64 outputs to the Dante network at both 48kHz and 96kHz.
Audio over IP is becoming more and more sought after, due to the fact that it works over a standard IP network and can be sent over pre-installed infrastructure. Developed by Audinate in 2006, Dante provides uncompressed, low latency, multi-channel digital audio over IP and is a popular choice of protocol.
The DiGiCo DMI-DANTE64@96 allows 64 channels in and 64 channels out at both 48kHz and 96kHz. It has a Primary and a Secondary port, both of which are Ethercon ports, and an RJ45 Control port. The card has two modes that can be changed in Dante Controller. In Switched Mode, the three ports are switched together. In redundant mode, the Control and Primary ports shall be switched together and work as a redundant pair with the Secondary port, each having separate IP addresses so that if the primary connection fails, the secondary connection will take over.
Main Features
- 2 EtherCON Ports
- 1 RJ45 Port
- Switched mode switches the ports together
- Redundant mode allows the ports to work as a redundant pair
- Inbuilt SRC between 48kHz and 96kHz
- Compatible with S-Series, Quantum Range, SD12, Orange Box and 4REA4
SD12 I/O Racks & Options
The I/O rack that has it all
- 14 card module slots - 56 inputs and 56 outputs
- Fully compatible with our industry leading 32bit SD cards
- 192kHz high resolution ready
- HMA Optics
- Redundant power supplies
- Proven touring ready rugged design
DiGiCo I/O enters the next generation
With support for up to 192kHz high resolution analogue I/O converters plus a comprehensive range of digital formats, it’s no wonder that the SD-Rack is accepted as the finest I/O rack available. From MADI to AES/EBU, Dante, AES-42, ADAT, or Aviom, the SD-Rack has it all.
Based on the same Stealth FPGA technology as the world-renowned SD-Range of consoles, the SD-Rack can run on the optical loop at 96KHz, while providing a down-sampled 48KHz feed from one of the MADI output streams; ideal for a broadcast truck split. The result is industry-leading A/D conversion complete with DiGiCo’s famous Gain Tracking™, meaning all consoles benefit from +/-40dB of digital gain.
Once a user has set the gain on each channel, every console on the loop can Gain Track their own mixes, and if any tweaking of analogue gain settings is required then each Gain Tracked channel will automatically compensate to ensure the mix remains the same. Best of all, should clipping occur, any of the consoles on the loop can take control of an analogue gain and make the necessary adjustments without affecting anyone else’s mix.
The SD-Rack’s 14 slots give you up to 56 inputs and 56 outputs, and users can choose whether to include the Optocore optical fibre connectivity or connect the SD-Rack to the console using MADI. When running at 48kHz, the two MADI ins and outs provide 56 fully redundant input and output channels via duplicate connections. When running at 96kHz, the SD-Rack delivers a full complement of 56 channels of MADI across the dual MADI ports.
Lastly, for ease of use the SD-Rack offers hot swappable interface cards with are automatically identified and configured, plus a top-mounted, hot swappable power supply.
No matter the size of the rack you choose, up to 14 DiGiCo I/O racks can run on a single optical loop, while as many as 28 can be accommodated on a dual loop system. This, coupled with the ability for any of the five consoles that can sit on one optical loop to receive all inputs and individually address output slots on any rack, gives the engineer or system designer unprecedented versatility.
SD-Rack I/O Modules
SD-Rack
Compact, flexible and powerful DiGiCo I/O
- Compact 4U Rack
- 4 card slots for up to 32 I/O
- Optical or MADI connectivity
- Supports the full range of SD card options
A 4U stage box packed with I/O
Crammed with I/O but occupying just 4U, the SD-MiNi Rack joins the SD and SD-Nano racks as part of DiGiCo’s comprehensive family of high sample rate, remote rack solutions to meet any and every requirement.
The SD-MiNi accepts both analogue and digital input and output cards including AES/EBU, Dante, AES-42, ADAT, HD-SDI and Aviom. For purely digital applications, each card slot provides 8 channels of audio in and out, allowing the SD-MiNi to run up to 32 inputs and 32 outputs. In an all analogue scenarios, users can benefit from a maximum of 32 ins or outs, or any combination thereof in banks of eight (for example, eight in and 24 out).
With MADI connectivity as standard and optical as an option, the SD-MiNi offers full flexibility including multi sample rates to external devices over MADI and DiGiCo’s Gain Tracking™ functionality.
No matter the size of the rack you choose, up to 14 DiGiCo I/O racks can run on a single optical loop, while as many as 28 can be accommodated on a dual loop system. This, coupled with the ability for any of the five consoles that can sit on one optical loop to receive all inputs and individually address output slots on any rack, gives the engineer or system designer unprecedented versatility.
SD-MiNi Rack I/O Modules
SD-MiNi Rack
The ultimate compact stage box
- Ultra-compact 2U rack
- Redundant Power Supplies
- Up to 16 I/O across 2 card modules
- Supports the full range of SD card options
The tiny 2U rack with massive DiGiCo I/O
At just 2U, the SD-Nano Rack brings extraordinary flexibility to installations and live shows alike as part of DiGiCo’s comprehensive family of high sample rate, remote rack solutions, also including the SD and SD-MiNi racks.
The SD-Nano rack accepts both analogue and digital input and output cards including AES/EBU, Dante, AES-42, ADAT, HD-SDI and Aviom. For purely digital applications, the SD-Nano runs up to 16 ins and outs, while all analogue scenarios can benefit from a maximum of 16 ins or outs or any combination thereof in banks of eight (for example, eight in and eight out). The SD-Nano Rack is only available as an optically connected rack.
Ideal for projects that require maximum flexibility without sacrificing ease of use, the SD-Nano Rack is a crucial building block in the DiGiCo I/O family. No matter the size of the rack you choose, up to 14 DiGiCo I/O racks can run on a single optical loop, while as many as 28 can be accommodated on a dual loop system. This, coupled with the ability for any of the five consoles that can sit on one optical loop to address all inputs and individually address output slots on any rack, gives the engineer or system designer unprecedented versatility.
SD-Nano Rack I/O Modules
SD-Nano Rack
A world of connectivity
- 9U MADI connected high performance rack
- Option of 48 Mic In or 24 Mic/24 AES/EBU In
- Analogue and Digital output expansion
- Redundant power supplies as standard
Delivering 96KHz on BNC or CAT5
The D2-Rack spearheads DiGiCo’s digital connectivity with an expandable channel count and high sample rates, providing more than enough firepower to meet the needs of the most ambitious projects.
The compact 9U rack sports 48 inputs and 16 outputs as standard; these can be increased to 32 outputs by populating the two spare eight channel output slots with one or more of three available module options: Line out, AES or Aviom.
For further flexibility, the D2-Rack’s inputs can be specified as either 48 mic in or 24 mic/24 AES/EBU in.
Dual MADI ports, available on either BNC or DiGiCo Cat5e connections, either allow rack sharing at 48kHz between any two SD Series consoles or provide digital splits for recording. When combined, these ports create a single high definition 96kHz MADI connection with absolutely no reduction in I/O.
To ensure ultimate reliability the D2-Rack is equipped with dual redundant power supplies as standard.
D2-Rack
SD12 Specifications
General Specifications
- Faders: 26 x 100mm touch-sensitive, motorised
- Screens: 2 x 15” LCD high – resolution touch screens
- Input Channels: 72
- Busses: Up to 36 plus masters Aux / Group busses with full processing Mono / Stereo / LCR
- Matrix: Up to 12 Input / 8 Outputs with full processing
- Control Groups: Up to 12, selectable for VCA-style, Moving fader, Mute Group
- Graphic Eq: 16 x 32-band, Gain +/- 12dB
- Internal FX: Up to 12 stereo effects comprising of reverbs and delay/chorus/pitch/enhancer
- Local I/O: 8 x mic/line I/O, 8 x AES I/O
- MADI interface: 2 Interfaces, BNC connectivity
- Optic interface: Optional
- Sampling rates: 48kHz / 96kHz
- GPIO: 2 x DSub37
- DMI: 2 x DiGiCo Multichannel Interface
- Ext Sync: Wordclock, AES, MADI, Optics
- SD12 Dimensions: 1124 mm (w) x 795 mm (d) x 389 mm (h)
- SD12 Weight: 42Kg / 96lbs.(130Kg / 287lbs. with optional flightcase)
- SD12 Flightcase: 1270 mm (w) x 570 mm (d) x 1150 mm (h)
- SD12 Power Requirements : 90V-260V, 50-60Hz, 150VA. (140W)
Audio Specification
- Sample rate: 96kHz or 48kHz
- Processing delay: 1ms Typical (channel, SD-Rack input through L-R buss to stage output @96kHz)
- Internal processing: Up to 40-bit, floating point A>D & D>A 24-bit Converter Bit Depth
- Frequency response: +/- 0.6dB (20Hz – 20kHz)
- THD: <0.05% @ unity gain, 10dB input @ 1kHz
- Channel Seperation: Better than 90dB (40Hz – 15kHz)
- Microphone Input: Better than -126dB Equivalent Noise
- Maximum Output Level: +22dBu:
- Maximum Input Level: +22dBu:
Processing Channel Specification
Input Channel
- Name: User-Defined / Presets
- Channel Selection: Mono / Stereo / Multi
- Input Routing: Main & Alternate Input
- Analogue Gain: -20 to +60dB
- Phase: Normal / Reverse
- Digital Trim: -40 to +40dB
- Delay: >1 Sec (Coarse & Fine Control)
- DiGiTuBe: Drive 0.01 – 50.0
- Bias 0 – 6
- LPF: 20 – 20kHz, 24dB/Oct
- HPF: 20 – 20kHz, 24dB/Oct
- Insert A: (Pre EQ/Dyn) On/Off
- Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1 - Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz - Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz - Insert B: (Post EQ/Dyn) On/Off
- EQ/Dyn order: EQ/Dyn or Dyn/EQ
- Mute: Channel Mute / Hard Mute
- Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
- Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
Full Safe - Output Routing: Buss, Insert A, Insert B, FX
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB - Fader: 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
- Name: User-Defined / Presets
- Phase: Normal / Reverse
- Digital Trim: -20 to +60dB
- Delay: >1 Sec (Coarse & Fine control)
- DiGiTuBe: Drive 0.01 – 50.0
Bias 0 – 6 - LPF: 20 – 20kHz, 24dB / Oct
- HPF: 20 – 20kHz, 24dB / Oct
- Insert A: (Pre EQ/Dyn) On/Off
- Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1 - Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz - Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz - Insert B: (Post EQ/Dyn) On/Off
- EQ/Dyn Order: EQ/Dyn or Dyn/EQ
- Mute: Channel Mute / Hard Mute
- Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
- Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
- Output Routing: Outputs, Insert A, Insert B, FX
- Fader: 100mm Motorised Fader ∞ to + 10dB
